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Silk - Queen of Textiles


The material 'Silk' always spells luxury, elegance, class and comfort. Everyone loves this shimmering fibre of unparalleled grandeur from the moment Chinese Empress Shiling Ti discovered it in her tea cup. It withstood many a daunting challenges from other natural and artificial fibres and yet, remained the undisputed Queen of Textiles since centuries.
Exquisite qualities of Silk saris like the natural sheen, inherent affinity for dyes and vibrant colours, high absorbance, light weight, resilience and excellent drape etc. have made silk, the irresistible and inevitable companion of the eve, all over the world.
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From times immemorial, silk has been a much sought after fabric by not only the common man but also kings and queens. Though today we see silks mainly in saris, in early days they used to be part of royal robes. It continues to be a popular and widely used material because of its softness, smoothness, luster and its graceful and sensuous folds which lend themselves exquisitely to designing.


* Muga


Today silk is not just restricted to saris. A wide range of ladies' and men's wear like dupattas, garments, fabrics, caps, handkerchiefs, scarves, dhotis, turbans, shawls, ghagras or lehengas, and even quilts, bedcovers, cushions, table-cloths curtains are made of silk.
Banaras is one of the leading silk sari producing centers of India. It is known for its heavy gold-silver brocades. Hair thin wires of gold and silver are obtained by heating the metal and passing it through minute holes. These wires are then used with silk yarn for weaving. The Amru silk brocades of Banaras are not only famous in India but also abroad. Jamvar, Navrangi (nine colors), Jamdani etc are other brocade types from the range of Banarasi saris. In the ancient time, Banaras was famous for the weaving of cotton saree and dress materials, but slowly switched over to silk weaving, during the Moghal period around 14th century weaving of brocades with intricate designs using gold & Silver threads was the speciality of Banaras.
Patola silk saris are the pride of Gujarat. These saris are created by using the resist dying technique. There are two types of Patola saris. The Rajkot patola is only vertically-resist dyed (single ikat), while the Patan patola is horizontally-resist dyed (double ikat). The yarn is resist dyed before it is used in weaving. Patola saris are known for their flaming bright colors and geometric designs interspersed with folk motifs. The zari of the sari has a sheen which is muted as it is woven in the twill weave. Diagonal borders in bright colours simulate the effect of enameling on gold. Some Aashavali saris which are for more informal occasions do not have such a spectacular use of zari.
Maharashtra is known for its Paithani silk saris, which generally come in kum-kum colors in combination with a contrasting color. Paithani are generally decorated with the gold dot or coin motif.
The state of Madhya Pradesh is famous for Chanderi, Maheshwari and Tussar silk saris. Chanderi sari is known for soft colors and the harmonious balance between the border and the body of the sari. These saris are also known for their contrasting colors and the depiction of animal and human figures on them. The colors of Chanderi silk come from both natural as well as chemical processes. Currently, chemical dyes are preferred due to their fast-acting quality. Traditional looms are still used as the primary means of production. These include pitlooms, dobby, and jacquard looms. The hand-woven silk has a light, sheer quality that sets it apart from textiles produced en masse in factories.
Silk Bomkai Sambalpuri saris from Orissa are also in single and double ikat. In contrast to the ikats of Gujarat, these saris are sober in color and decorated with curved forms. The pallu of these saris have floral and animal patterns on them. Sambalpuri textile is essentially handloom. It is fabricated using tie and dye method. The craftsman conceptualizes the design, draws it and according to the design, he colors the yarn, all by hand. The fabrics once colored cannot be bleached. The fabric may get thin and gradually damage but the colour still does not fade. The fabric is both silk and cotton.
Murshidabad in West Bengal is the home of the famous Baluchari sari. The Baluchar technique of weaving uses untwisted silk thread for weaving brocades. The pallav of this sari has patterns that resemble miniature paintings. The sari has large flowing kalka motifs in the centre surrounded by narrow ornamental borders. These are framed by a series of figural motifs worked in rows around the kalkas. These motifs are woven diagonally and are worked in four alternating colours, white, blue, yellow, red and green on a shaded background. The motifs are entirely in silver zari.
Kanjeevaram silk sari is a magnificent creation of the craftsmen living in a small town, Kanchi (Kanchipuram), situated near the Bangalore city of South India. The saree has been named after the town in which it is produced.