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The tyeing of cloth with thread and then dying it is the simplest and perhaps the oldest form of creating patterns on a plain piece of cloth. It is also the oldest forms of decorated textiles. Bandhani is a popular type of tie and dye method in India. The word ‘Bandhani’ comes from the Hindi word ‘Bandhan’ which means tying. Bandhani work is mostly done in the states of Rajasthan and Gujarat.


Bandhani is a technique of tie and dye. As the name suggests, the technique of Tie and Dye involves two stages: tying sections of a length of cloth (silk or cotton) and then dunking it into vats of colour. The rainbow-tinged turbans of the Rajputs and the odhnis of their women are shaded by this method of resist dyeing.
Dyeing is accomplished by the tie-resist method where the patterns are made up of innumerable dots and weaves respectively. Usually men do the dyeing while women do the tying, which is most painstaking with each dot being as tiny as a pin-head. The cloth is first washed and bleached to prepare it for absorbing the dyes. After this, it is then sent to the bandhani, the women who do the tying, lift small portions of the fabric and tightly tie a thread around it. The more minuscule the raised Bandhani - tied textile fabric, the finer the bandhana. The tied textile is then dipped in a light colour first while the tied areas retain the original ground colour. If a second dye is required, the areas to be retained in the first dye are tied for resist and the cloth dipped in a darker dye. This process is repeated, if several colours are to be combined.
Laheria refers to the wavy pattern of a fabric processed in the tie dye technique. The material is rolled diagonally and certain portions resisted by lightly binding threads at a short distance from one another before the cloth is dyed. If the distance is shorter, the skill required in preventing one colour from spilling into the other. The process of dyeing is repeated until the requisite number of colour is obtained.
The centers of tie and dye fabrics, especially in Gujarat are Jamnagar in Saurashtra (the water in this area brings out the brightest red while dying), and Ahmedabad. The finest bandhni work of Rajasthan comes from Bikaner, Jaipur, Jodhpur, Barmer, Pali, Udaipur and Nathdwara. Rajasthan is well known for its leheriya pattern - literally meaning waves. These are harmoniously arranged diagonal stripes, which were originally, dyed in the auspicious colors of yellow and red. Pochampalli is also one of the three main traditional yarn-dyeing centers in the country. The process of making bandhni (tie and dye) varies in Gujarat and Rajasthan. Even the patterns, designs and craftsmanship vary in both the regions. The craftsmen from Rajasthan are easily recognized because they grow a nail on their little finger to facilitate the lifting of cloth for tying or wear a small metal ring with a point. The Gujarati craftsmen prefer to work without these aids. The flow is much better when one works with one's bare hands as it assures no damage to the cloth. The dyeing and printing of textiles has become a highly developed craft in Gujarat. Bandhni, a form of tie-resist dyeing and patola are two outstanding examples of the Indian dyer's art.










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